In my report The Egyptian Octave the sets were displayed along a continuum of sorts. The further we moved to the right on the continuum, the higher the frequency it would get (in terms of buzzing vibrations), the more intricately detailed it would become, all in octaves until we got to the Egyptian "octave" or set. It further complicates and distorts the issue. The Egyptian geometry is similar in nature to the geometry that precedes it, but it is of a higher frequency as well as being used in a (shall we say) more "intelligent" way.
In my report DMT: Seeing it All Connect as well as numerous godhead experiences, it seems to me as if the whole of hyperspace is all contained within a certain mega-space (possibly the super-set). Some experiences fit crystal clear into this framework I'm outlining here, while others are not so obvious, but it's all relative and it's all about perspective it should seem.
In my report DMT: Seeing it All Connect as well as numerous godhead experiences, it seems to me as if the whole of hyperspace is all contained within a certain mega-space (possibly the super-set). Some experiences fit crystal clear into this framework I'm outlining here, while others are not so obvious, but it's all relative and it's all about perspective it should seem.
