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The voyeur comes out...

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EzekielCain

Rising Star
Hi all,

Just wanted to take the first baby step in introducing myself here and say how much I've enjoyed reading such personal and profound experiences that you've shared. As human beings its our duty to acquire and share as much knowledge with one another as possible. This is a great place and forum to do that.

My background is in audio engineering and I've been doing binaural research for the past 15 years and studying the correlation of certain frequencies on the mind and body, particularly under the influence of cannabinoids and tryptamines.

The theory of binaural research is to take 2 separate audio frequency carriers at slightly different hertz and introduce them as physical stimuli to the brain. While one ear might hear 230hz frequency and the other ear might hear 260hz frequency, if you acclimate the brain to these tones for approximately 30 seconds or more, a third "phantom" frequency of 30hz is produced which doesn't actually exist as an audible tone, yet the brain perceives this stimuli as actually occurring. This has been documented in many different kinds of research, often being called "Binaural Beats" as discovered in 1839 by Heinrich Dove. This is mostly studied in how animals locate sound in three dimensional space as well as how they are able to isolate one distinct sound among many other sounds or auditory distractions.

In recent years with various degrees of lab studies they have solidified different binaural phenomenon in their relation to solfeggio frequencies. These frequencies have even been used by genetic engineers to repair DNA, the 528hz frequency often referred to as the "Ohm" frequency, or the "Mi" frequency. They are also used to maintain the equilibrium of astronauts when they leave earth's atmosphere (and to simulate the continual 7.86hz frequency of the earth, ie the "Schumann Resonance" ) as they discovered early in space exploration that astronauts were becoming easily disoriented, later finding out that the absence of this frequency was what was doing it.

The research I'm conducting as an audio engineer is to observe how these phantom frequencies are being perceived once having been administered and to recreate them in frequencies within our own range of hearing. I believe this will aid many individuals in the breaking through of hyperspace and allow passing into other vibrating densities which would be difficult to attain without these phantom frequencies.

Then I hope to compile all these findings into the musical album that I've been composing for the last 6 years which will be just one long take that is seamlessly separated into spatial tracks so the end user doesn't quite understand the technicality of it but understands the familiarity of it from start to finish. Something that can be combined with and elicit deep emotional impact and growth in combination with the tool of exploration being used.

All energy both living and not living is just a vibrating mass of frequency. Science has figured out how to channel different frequencies both microwave and soundwave based to apply to modern day non lethal weapons... This is truly the future and must be explored and tapped into. Don't quite believe it? Do some research on these things... Its all around us. Even the rock on the side of the road has its own frequency. When we can find out what these are, they can be manipulated. When you can manipulate them, you can control them, thus prolonging the pleasurable ones or dispersing the unpleasant ones.

If anyone is interested in taking part in any of these experiments, please feel free to PM me. You can be involved with 3 simple things which you already have:

1. A computer
2. Good over-ear headphones
3. An open mind

I look forward to talking and sharing with all of you.

-Cain
 
Hello EzekielCain,
Nice to have you here, I am very curious to hear your results, but-

I believe this will aid many individuals in the breaking through of hyperspace and allow passing into other vibrating densities which would be difficult to attain without these phantom frequencies.

Have you experienced this for yourself, thus causing you to believe this? Or is this pure speculation?

The research I'm conducting as an audio engineer is to observe how these phantom frequencies are being perceived once having been administered and to recreate them in frequencies within our own range of hearing.

What makes you think they will have the same effect in audible octaves? Have you tested this?



What are your thoughts on the loud neuroelectric high pitched ringing that is heard lightly by the ears in sensory deprivation, the one that people call a "carrier wave" that hyperspace seems to tune into and stem from (so to speak) This series of frequencies seems elaborated upon, as if a higher octave opens up and becomes totally cymatic and synesthetic after administration.

How would researches such as ourselves map these frequencies that occur endogenously? Are they binaural representations of the low frequency oscillation of the brain state itself just stacked octave on top of octave? Could this be recorded in real time, and amplified back to give an accurate infinite reading/resonance like a mirror?

Many possibilities here...There is much research needed in this field.
 
Yes, I have, both first hand and also involving others in this.

Some of the first experiences I did involving frequency manipulation was the start of my interest in this field and one of the main reasons I became an audio engineer. I would create a piece of music and subject the listener to a specific compound and started noticing actual PHYSICAL effects due to the reception of these frequencies. I found that I could make people extremely anxious to the point of actually sweating while sitting down with their head between two speakers (the sweet spot) Or I could utilize another frequency from the spectrum and induce lethargy to the point of having someone fall asleep right there while sitting up! It was very intense to see different reactions, all being controlled with frequency variations.


#2> The binaural phenomenon is exactly that: a strange phenomenon. THAT is actually what's being studied when I've researched with compounds and what I'm branching onto with these tryptamines. It's finding the 2 separate audible frequencies in "our" range that will create the non-existent frequency that the brain locks onto and then pulses at during the initial blastoff. The tricky part is finding the 2 specific ones, as even 1Hz will make all the difference. Not to mention the fact that there are frequencies we can't currently measure, and the ones that haven't even been cataloged.

#3> I think it's impossible to explain the initial carrier wave. My only theory is that it's introduced in order to sync and acclimate your receptors to receive the broadcast. Obviously the carrier wave is not "actual" as one person who is blasting off hears it, and the observer (if there is one) does not. It's a manifestation that occurs for a specific reason.

I know that in my own experience that frequencies are everywhere and in everything. Tapping in is what's the hardest part, much like taking a trip. It's Russian roulette. It's a crap shoot. You roll the dice and see what you end up with.

We've become accustomed to shutting off a lot of neurotransmitted things that are "out of the norm" as some kind of safety mechanism. Much like our brains tell us "Hey, don't touch that...it's going to hurt you." We set up boundaries and blocks for a lot of things that aren't necessary.

To be totally honest, I sadly don't know of a way that these things to be recorded in real time anymore than thoughts can be read in real time. :(

I think the best way to start the mapping of these celestial and other-worldly frequencies is to simply have a subject with some sort of formal music training or basic understanding of notation composition be able to "hum" at exactly the moment it starts so it can be gauged, analyzed, and compared to others. What *MY* frequency is might very well be different from what *YOUR* frequency is.

This is what I'm interested in finding out. You're right, a GREAT deal more research is needed. Not only with this particular compound but with a great deal of others, which I'm also testing as well. It's kind of like giving someone colorblind something like LSD or DMT and listening to them try and explain what Red or Blue looks like. They have no idea what those colors are because they've never seen them.

Maybe, just maybe...I'll be able to successfully produce things that haven't been audibly heard before. A daunting and over ambitious task I know.

But I love a good challenge. :)

-Cain
 
Very cool, thanks for the reply.

I think the best way to start the mapping of these celestial and other-worldly frequencies is to simply have a subject with some sort of formal music training or basic understanding of notation composition be able to "hum" at exactly the moment it starts so it can be gauged, analyzed, and compared to others. What *MY* frequency is might very well be different from what *YOUR* frequency is.

In my experience it is not a single frequency, it is a band of high frequencies piercing together, I have never been able to hum or map this out as it doesn't seem to work that way...it's always baffled me. If it's acting like a "chord" in this manner, I have never found one to be static. Very odd stuff.


It's finding the 2 separate audible frequencies in "our" range that will create the non-existent frequency that the brain locks onto and then pulses at during the initial blastoff. The tricky part is finding the 2 specific ones, as even 1Hz will make all the difference. Not to mention the fact that there are frequencies we can't currently measure, and the ones that haven't even been cataloged.

What exactly is your goal with this, to simply see it's influences on ones experience?
 
Mmmm, I think the whole point of it is to introduce or RE-introduce these freq's to those who've never heard them or those who may have forgotten about them...

I figured if I'm able to control something as deep as anxiety and perspiration, certainly I'd be able to 180 that and control meaningful and powerful emotions as well.

My major goal is to finish this album and bring someone to tears...just a full on bawl and have them not know why they're feeling the way they're feeling. LOL...that sounds horrible and mean, I know. But having something swell inside of you emotionally in hyperspace and be able to tie that into something else which was a bi-product of what GETS you into hyperspace I think makes it special...

Does that make any sense? It's kind of all over the place but it does make sense in my own dysfunctional mind!

:shock:

-Cain
 
Yes, it makes sense, I just wanted to pick your brains a bit. ^.^

Keep us posted, and feel free to share any other thoughts you ever have. Very fascinating stuff! I definitely think there is a lot to learn from things like his.
 
I think so too.

Your smell and your hearing are IMO the highest ranking of senses in importance as they're the ones used first at birth to identify everything around you.

There's a reason why auditory sensory is increased exponentially in altered states. Vision is only of semi-importance because at any time you can close your eyes and it doesn't matter what *they* see, it's not reality.

But the things you HEAR while you're away, out of your body, out of the universe...they're so important. This is why music is the universal language...you can conjure up anything at will simply by singing, ya know?

It might be a fruitless chase but none the less one I'm at the mercy of chasing.
 
I have had quite an interest in binaural beats for some time now.
Particularly my experience lies with iDoser and various colors of noise. I have attemted 'testing' of sorts in regards to what you're speaking of. Also playing some of these beats as I slept (sober), would produce a profound difference in the unconscious dream-state.

This phenomenon is indeed extrapolated via introduction of various substances; and most assuredly, spice.

Quite intrigued by your project; hope to see what becomes of it.

~ Xtramint.
 
I also experiment with colors of noise, especially white. If you experiment with audio on a DAW of some kind you should try messing about with one of my Ableton Live settings. This is a particularly excellent compressor/eq/mastering config as well. It makes things sound like there's ears all over your head...

Route white noise with a sine wave in sub-frequencies, 30Hz and below and running it through a side-chain, then in 2 audio tracks hard pan L + R so it's stereo. I run it through a compressor on peak envelope, -40.4dB on the threshold @ 1.15 ratio, 3dB Knee. Output at 0.99dB with makeup ON so I get a good gain reduction.

Attack is 0.24ms
Release 21.1ms

Then put a Gate on with -40dB -inf dB on the threshold with 0.02ms Attack, 5.70ms on Hold and 0.84ms on the Release.

Then run that through a Mastering Rack with:
Low Gain 15.9dB
Mid Gain 3.00dB
Hi Gain 2.25dB
Comp Amount 64%
Comp Ratio 1:2.42
EQ Intensity 100%
Stereo Width 100%
Limit Gain 10.5dB


On a GOOD EQ you should focus peaks at 36Hz, 83Hz, 194Hz, 543Hz, 1868Hz, 4281Hz, 11716Hz, and drop out at 19872Hz.


THAT is merely one example of goodness.

Lol!


But for real, I'll get some things thrown online in the next couple of days if anyone is interested in partaking in this experiment for yourself. I really enjoy input. PM me up and we can get to know each other!

-Cain
 
Great project. Looking forward to hearing your tracks; I didn't have much luck with the "traditional" binaural beats, they worked a little but they didn't have the impact I thought they would, so I'm willing to experiment some more. It'd be great to have specific pieces to put you into a certain state. Effectively.

EzekielCain said:
To be totally honest, I sadly don't know of a way that these things to be recorded in real time anymore than thoughts can be read in real time.

Would biofeedback work? Something along the lines of: Simple ModularEEG (which I was thinking of getting and experimenting with because of the low low price - $100 for your own EEG machine is quite the deal)

...and then there's also this: Homepage
 
Emotiv is definitely onto something, but commercially we wouldn't be able to get the real GOOD stuff the gub'ment currently has.

The problem is that the computer is only as smart as it's programmer.

We don't have self aware AI (at least again, not commercially) but we DO have plenty of ways that WE tie into machines, ie Symbiotic. We've been using them in attack helicopters for years...where you move your head, the firing cannon follows. Certain military bombers also have symbiotic circuitry in which it ties into the pilots emotional state and given the mental and emotional state of that pilot, he's either able to successfully "drop the bomb" or the firing system shuts down if a non-normal response in emotional state was detected. A rocket scientist named David Adair who (I'm totally convinced of this story) came across some alien technology and described it in fairly good detail, Here he starts talking about it at 6:45. (The video has a couple of parts where it repeats about 15 seconds of the story, I guess it's from editing the video)

What we're talking about here is a little more advanced...having something be able to take things OUT of your mind. Again, another problem with this is the fact that the binaural beat doesn't really even exist as an audible tone, it's just a resonating culmination of 2 other frequencies and vibrations that causes the phantom one.

It's so damn cute and tricky! It's so simplistic but so friggin' difficult all at the same time, because we could all rationally just say "Can't we do something with sensors and tiny microphones?"

But how do you record something that isn't really there?

That's what I'm trying to find out.
 
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