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Art Bin

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Nice Mr. P! I really dig your style and love how you maintain that signature look yet still create such varied pieces.
 

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Anyone else's hyper castle have a landing pad for when the big ships come in "hot" ?
 

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Mr. P, I love your style! You have given me a new way to think about ink drawings.

Wax, that last one you posted is freaking incredible. How do you make your pieces?
 
Thanks for the compliments!

Wax, I'm really digging your last couple. Good work!

Global, I think you're on to something with your fusion of music and art. Plus, I think I need to get myself a landing pad, though I don't really know why still....seems like a good idea.

Here's one with a different set of pens that I find more difficult to control.

If anyone has any ideas they would like to share on how I might color these things, change them, or leave them as is, I would much appreciate it!
 

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Mr.Peabody, to answer your question, ever tried using and ink you can come back to and bleed out with water? I used to use it all the time for my sketches. A stabilo point 88 pen (real cheap) makes sharp work of it. You can get them in black, grey and colour.

Love those forms by the way :thumb_up:
 
On that last one Mr. Peabody, I like the pen, and I like the contrast with the stark white. It stands out so well because a lot of your other drawings tend to have a lot more grayish filler (which is also great :thumb_up: )
 
Global, is this still the music art fusion project? I am really interested in seeing what you come up with for it, I like what you've done so far, extremely creative.

anon_003, thanks I try to make all my stuff by sort of fractalizing patterns until it gets out of hand and basically collaging images that I've made or found and tweaking them a ton.

I like the dark ink Mr. P, have you ever worked with pastels?
 
Thanks for the ideas and compliments folks!

Orion, I think I'll have to give that a try. It could really help my gooey stringy textures.

Wax, I have worked with pastels. I have a nice set that I seem to have misplaced. I can't bring myself to buy more when I know I have some! I may have to break down soon, but I'm sure I'll find my old ones shortly after buying some new ones.

Here's another one. I'm getting somewhat near the end of my bank of stored drawings....
 

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So much cool stuff!

Cyb, your recent mandala series is amazing- they just keep getting crazier.

P, nice to see you loosening up. The ink pen piece is great- the starkness works really well, giving clarity to the line weight, which expresses energy and presence in a way that a shaded drawing can't. Especially like the stretchy cheez stuff on the left. My only advice is to crank out a ton if these. Maybe try a few different sizes. A 5x7" sketchpad can be a lot of fun.

Wax, that's sweet. Bold, bright, high impact and very trippy.

Global- that's one of the most psychedelic things I've ever seen you do. Is that finished? It really has a feeling like a DMT interior. Big and epic, like a cathedral. But with extra dimensions.
 
Guyomech said:
Global- that's one of the most psychedelic things I've ever seen you do. Is that finished? It really has a feeling like a DMT interior. Big and epic, like a cathedral. But with extra dimensions.

Yeah. It's pretty much finished. You seem to see what I'm going for. One of the things that I noticed in the cathedral that I go to, is that there can be an interesting balance of the rigidly linear/straight-lined sequential kind of geometries, and then there may be other areas on the borderline of goofy - just completely asymmetrical and silly with seemingly little rhyme or reason - and yet it is in balance with its contrasting counterpart geometries. So I tried to maintain a bit of that aesthetic. The "foundation" of the whole piece off which everything else was "built" is the "3D" DMT prism in the center offset to the left.
 
This thread made me want to dig out an older piece, from maybe 4 or 5 years ago. One of the first pieces I did on computer that I was really satisfied with.

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Very nice spincycle. There's definitely something to that celtic art. Something about the organic curvatures and proportions perhaps. The curved interweaving creates very natural sections like those that one might see in a fruit like the chambers of an orange or a tomato or something, and I find these kinds of sections and geometries to be all over hyperspace.
 
I almost didn't post, but I knew there would be someone just sitting there refreshing the page, dying to see another installment of what I have come to call, "Mr. Peabody's Traveling Daily Showcase Art Extravaganza!!" (TM)

If you're hoping for some color, and are getting tired of the black and white bit, stay tuned....
 

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And just an update from me if anyone's interested... I'm going back to the absolute basics. I want to review everything from the ground up, there are a lot of holes in my knowledge preventing me from improving. So much I didn't even know I didn't know. When I'm back doing my own thing with new knowledge, you'll see it.
 
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