Hi All,
After recently attending and participating in All Things Fungi Festival, I crossed paths with Bruce Parry, and got to hangout with him and chat extensively at the festival, and following it. Bruce is a former Royal Marines commando, explorer, trek leader, Indigenous rights activist and documentarian, best known for his work on the BBC series Tribe (referred to as Going Tribal in the US). In one particular episode, who spends time with the Sanema, an Indigenous Amazonian tribal group in Venezuela. A central practice of this group is shamanic use of epená, a psychedelic snuff derived from the sap of a species of Virola, which harbours DMT and 5-MeO-DMT as its primary psychoactive ingredients. One of the supplementary practices that the group use to drive and expand the psychedelic state induced by the snuff is this tonal vocalising. Bruce described the sounds of their vocalising as not being particularly melodious, but that they would seem to systematically hum and tone using different parts of their sinus and airways. Due to being highly inebriated at the time, it took Bruce some time to figure out one of the group members was offering him to "borrow" his particular "song". Under the influence of the snuff, Bruce found that this practice of toning catapulted this psychedelic state to a whole new level. Bruce described entering a space of white light that he seemed to be sharing with the other members of the group ingesting the snuff and tonally vocalising.
This really caught my interest, as in my own explorations I have found that tonal vocalising or attempting throat singing has a significant potentiating effect on the DMT state. The first time time I discovered this was an LSDMT experience, vaping some DMT while on LSD on a fine's summer's day while sitting by a stream in the woods. Initially my friend and I were apprehensive about taking the plunge with the DMT, but we needn't have worried, as having one foot in the psychedelic realm via the LSD made the transition to DMT space much less jarring than it can be when vaping it from sober. My friend went first, and he started vocalising, doing some tonal throat singing. (It turns out a large interdimensional cuttlefish had appeared, enveloping him in its tentacles, which freaked him out, until it made its intent clear psychically that it came in peace and was merely curious). He suggested I tried it when it was my turn, and after initially feeling a bit sheepish, I started to tone, and very quickly I started to get results. The tonal throat singing started to rapidly shift, sculpt and expand the architecture of the DMT state. Not only this, but it allowed me to exert some degree of control and influence over the state, rather than being a passive observer or experiencer of all that was unfolding. Instead it was like the toning gave you a little space pod with which to explore the DMT space. It was interesting to experience the direct biofeedback the DMT state provided when toning, which would shift rapidly in response to the different tones being hummed. The toning also feels really good. The LSDMT experience was utterly beautiful and blissful, and the feeling after the DMT and throat singing session was one of very deep peace, serenity, contentment and refreshment.
This was just the first of many experiences where throat/tonal singing was used to augment and expand the DMT space. One of my more recent experiences took place at a wonderful spot by a river in Mexico one night with a good friend. This tonal throat singing was also found to powerfully synergise with ayahuasca (and pharmahuasca) and psilocybin mushrooms (but less so with other psychedelics such as LSD). I recall one experience with a high dose of liberty cap mushrooms where my friend's throat singing spilled over into the architecture of my experience (but self-generated tones are more potent). It might be possible to further refine one's game with the tonal throat singing by mastering overtone singing. Anyway I thought I would share this in case it might be of interest to any other psychonauts should they wish to experiment with this. I would also be interested to hear from anyone who is also acquainted with this practice about how it has influenced their own explorations. For an example of the kind of thing to aim for, check this out.
After recently attending and participating in All Things Fungi Festival, I crossed paths with Bruce Parry, and got to hangout with him and chat extensively at the festival, and following it. Bruce is a former Royal Marines commando, explorer, trek leader, Indigenous rights activist and documentarian, best known for his work on the BBC series Tribe (referred to as Going Tribal in the US). In one particular episode, who spends time with the Sanema, an Indigenous Amazonian tribal group in Venezuela. A central practice of this group is shamanic use of epená, a psychedelic snuff derived from the sap of a species of Virola, which harbours DMT and 5-MeO-DMT as its primary psychoactive ingredients. One of the supplementary practices that the group use to drive and expand the psychedelic state induced by the snuff is this tonal vocalising. Bruce described the sounds of their vocalising as not being particularly melodious, but that they would seem to systematically hum and tone using different parts of their sinus and airways. Due to being highly inebriated at the time, it took Bruce some time to figure out one of the group members was offering him to "borrow" his particular "song". Under the influence of the snuff, Bruce found that this practice of toning catapulted this psychedelic state to a whole new level. Bruce described entering a space of white light that he seemed to be sharing with the other members of the group ingesting the snuff and tonally vocalising.
This really caught my interest, as in my own explorations I have found that tonal vocalising or attempting throat singing has a significant potentiating effect on the DMT state. The first time time I discovered this was an LSDMT experience, vaping some DMT while on LSD on a fine's summer's day while sitting by a stream in the woods. Initially my friend and I were apprehensive about taking the plunge with the DMT, but we needn't have worried, as having one foot in the psychedelic realm via the LSD made the transition to DMT space much less jarring than it can be when vaping it from sober. My friend went first, and he started vocalising, doing some tonal throat singing. (It turns out a large interdimensional cuttlefish had appeared, enveloping him in its tentacles, which freaked him out, until it made its intent clear psychically that it came in peace and was merely curious). He suggested I tried it when it was my turn, and after initially feeling a bit sheepish, I started to tone, and very quickly I started to get results. The tonal throat singing started to rapidly shift, sculpt and expand the architecture of the DMT state. Not only this, but it allowed me to exert some degree of control and influence over the state, rather than being a passive observer or experiencer of all that was unfolding. Instead it was like the toning gave you a little space pod with which to explore the DMT space. It was interesting to experience the direct biofeedback the DMT state provided when toning, which would shift rapidly in response to the different tones being hummed. The toning also feels really good. The LSDMT experience was utterly beautiful and blissful, and the feeling after the DMT and throat singing session was one of very deep peace, serenity, contentment and refreshment.
This was just the first of many experiences where throat/tonal singing was used to augment and expand the DMT space. One of my more recent experiences took place at a wonderful spot by a river in Mexico one night with a good friend. This tonal throat singing was also found to powerfully synergise with ayahuasca (and pharmahuasca) and psilocybin mushrooms (but less so with other psychedelics such as LSD). I recall one experience with a high dose of liberty cap mushrooms where my friend's throat singing spilled over into the architecture of my experience (but self-generated tones are more potent). It might be possible to further refine one's game with the tonal throat singing by mastering overtone singing. Anyway I thought I would share this in case it might be of interest to any other psychonauts should they wish to experiment with this. I would also be interested to hear from anyone who is also acquainted with this practice about how it has influenced their own explorations. For an example of the kind of thing to aim for, check this out.
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