A couple of quick questions - are the quartz singing bowls strictly necessary for all this? Might there be some other viable alternative?
Definitely not strictly necessary. It works without acoustics, they just seem to help a lot. Metal singing bowls surely help to and other instruments and music. We've done it without acoustics at sites and at home and it works. There's also all kinds of recordings online that probably help a lot to. Even just a sine wave on a pair of speakers lifts the state quite a bit. I prefer to put stuff onto a CD for the best quality.A couple of quick questions - are the quartz singing bowls strictly necessary for all this? Might there be some other viable alternative?
I'm very interested in the effects and the technique, and don't doubt them. I'm highly skeptical of the proposed explanation, though. I think it's likely that it would work in different settings (as long as they are perceived to be significant by the participant), with different minerals (or even other kind of objects), etc. Of course I have no proof of any of this, I'm just saying my likelihood estimates right now, without having ever tried it.
Hopefully I'll have some time this summer to try it. If I'm able to get to the point you describe, I'd be interested then in progressively removing or changing elements of it one by one, and seeing if I still can get a similar level of experience.
). There does seem to be some obvious avenues for easily testing this in a lab setting but finding someone open to the idea would probably be a challenge at this stage.I like the way you’re approaching this, the hands-on, iterative exploration is honestly pretty close to a scientific mindset already.Now that I'm on the 'puter I wanted to reply to more of this that I hadn't gotten around to
This seems to be a very useful and logical exercise and is similar to what some of us have done (testing each element individually and various combinations at different locations)
Back in the day, before hearing about this stuff, I used to smoked changa and stare at a mandala tapestry. I found this useful but not drastically more useful than staring anywhere else. For some reason staring did seem to focus the state and proved helpful though. Eventually I settled on staring at trees outside my window. Thousands of leaves, especially in the wind, provides a complex scene that is in many ways too difficult for the ego/left hemisphere to process. I think this helps shift the state a bit, similar to the dzogchen tradition of sky-gazing. It would seem as if I could see all of the leaves at once, if I relaxed.
So once I got to crystal/eye gazing I had already done quite a bit of staring at other objects on low doses of DMT and was in a good position to compare. I thought crystals were just hippy BS but the data on them being high frequency resonators is surprisingly comprehensive. Once I tried it with a decent chunk of amethyst it got shocking quickly. The crystal would look incredibly bizarre at first, while the rest of my room would look almost completely normal (an interesting effect is that as coherence builds, some of the weird effects of the medicines dissipate and vision gets extra clear).
There is a distinct visual change to the crystal that is difficult to describe but incredibly consistent. After more practice increasingly jaw dropping fields were beginning to emerge on LSD without even having to crystal gaze or smoke DMT first. Eventually it is like CGI level toroidal fields bursting out all over the room but my wife has more experience past the transition at home than myself. I'm still regaining my sea legs after some traumatic life events. I just remembered that I did hold a large piece of selenite last session and didn't notice anything particularly interesting coming from it compared to the quartz.
If the effect was due to merely perceived significance attached to a crystal or sacred site, I would expect the effects to subside - at least to some degree - once the crystal/eye gazing ends or after leaving the site. With practice these states become shockingly stable, but who knows?
It would be useful if more skeptical people could report back after trying these techniques, especially those with a scientific background and significant experience with LSD (looking at you @Varallo). My scientific education was fairly limited. There does seem to be some obvious avenues for easily this in a lab setting but finding someone open to the idea would probably be a challenge at this stage.
Testing for piezoelectric activity in a quartz singing bowl would be a relatively simple affair. Imo, this would constitute a plausible mechanism for some of the phononic resonance effects. Would you happen to know the resonance tones of any of your bowls?have no idea if this is an acoustic wave or something else that we are seeing but having shared perception always seems like a good sign and focusing on it feels like it helps build coherence to some degree.
Yeah, trees are pretty good for that, ime! The first time I ever caught myself in a state of mental stillness was through casually staring at the sihouettes of some Scots pine trees one evening.Eventually I settled on staring at trees outside my window. Thousands of leaves, especially in the wind, provides a complex scene that is in many ways too difficult for the ego/left hemisphere to process. I think this helps shift the state a bit, similar to the dzogchen tradition of sky-gazing. It would seem as if I could see all of the leaves at once, if I relaxed.
You probably already know that selenite is 'just' a particular crystalline form of calcium carbonate. I remember being rather disappointed on finding out that it didn't contain any selenium, although this did kind of made up for the heartbreak of already having left my sample behind in a Dorset pub. But I digress.did hold a large piece of selenite last session and didn't notice anything particularly interesting coming from it compared to the quartz.
I like the way you’re approaching this, the hands-on, iterative exploration is honestly pretty close to a scientific mindset already.
At the same time to answer your question I find myself a bit split on the question of whether this is something you’d even want to understand scientifically. With experiences that are this subjective and immersive, there’s always a bit of a trade-off. The more you try to reduce it to mechanisms and variables, the more you risk taking some of the magic out of it. So I guess the question becomes, how much do you actually want to explain here, and what are you okay with potentially losing in the process?
If you were to approach this from a more scientific angle, it would get complicated pretty quickly. You’d need fairly elaborate study designs, controlling for set and setting, using some form of blinding, working with larger sample sizes, and ideally making sure participants don’t fully know what’s being tested. That last part is especially tricky here, because expectation and meaning seem to be such a big part of what’s happening. And then mechanistic it’s even more difficult. Also the act of studying it might already change the thing itself.
For what it’s worth, I do recognize parts of what you’re describing. I’ve had similar experiences focusing on plants. For a long time I had a large houseplant that, on DMT or LSD, that would consistently somehow show the the flow of its life force in the veins. It was very stable across sessions and definitely meaningful.
So my inclination would be to treat this primarily as something to explore and work with, rather than something that necessarily needs to be fully explained. If people want to experiment with it and compare notes, that’s great, and I’d be curious to hear what others find as well.
Also, I actually found a really nice clear quartz crystal in the Alps about two years ago. Next time, if I remember, I’ll give this a try myself and see whether the ritual (protocol) leads to a similar experience for me. And if I do, I’ll definitely report back.
Varallo
Testing for piezoelectric activity in a quartz singing bowl would be a relatively simple affair. Imo, this would constitute a plausible mechanism for some of the phononic resonance effects. Would you happen to know the resonance tones of any of your bowls?
You probably already know that selenite is 'just' a particular crystalline form of calcium carbonate. I remember being rather disappointed on finding out that it didn't contain any selenium, although this did kind of made up for the heartbreak of already having left my sample behind in a Dorset pub. But I digress.



Thats the next book to read after I've finished the Alexander Beiner book.
Yeah I wanted to ask this too, since I read Left In The Dark like a few months ago.Has the book been revised significantly since left in the dark? I was rereading left in the dark last year but maybe I’m missing out on new stuff?
Agreed! What have your experiences been like there?This is very interesting
The places with big boulders or rocks beneath the trees are the best outdoor spots for tripping imo. Very specific geomantic energy there.
Thats the next book to read after I've finished the Alexander Beiner book.
Has the book been revised significantly since left in the dark? I was rereading left in the dark last year but maybe I’m missing out on new stuff?
It's a slightly updated version but essentially the same book. From what I've read, Inner Traditions acquired the rights to Left In The Dark in 2014-ish and renamed it to make it their own. I saw that image on the link to his old site that explains the books history.Yeah I wanted to ask this too, since I read Left In The Dark like a few months ago.
raisingthedead.info
My most important psychedelic experiences were at such places.Agreed! What have your experiences been like there?
which I got the chance to observe in very detail, deconstructed into basic components.