It's all about the planes. I've always felt that when I see those interdimensional objects and their movements on DMT, and it really hit home the other day in the physical world. I'll explain.
For instance, sometimes on DMT, I may have a 4(+)dimensional hologram of an Egyptian statue figure approach me (it can really be anything), and I'll notice on some occasions that there is such a refinement to the whole depth perception, and part of what's triggering that is the multiple planes. So as the hologram makes its way from the wall over to myself, I can see where it is and where it has been as almost like these "stops" which simultaneously from a different perspective (the front) creates the full, interconnected hologram. This is unlike tracers in that there are concrete stops at adjacent planes.
Now, the other day I was studying this hologram that is laser-etched into the thick glass of some baseball memrobilia (in consensual reality of course) and I noticed that it was created using the same features of those "stops" as with my DMT holograms. I'll try to provide pictures later, but I hope you can follow along with me in your imagination (or relate, better yet).
Then last night, I came across
this video on drawing the 4th-7th dimensions. I found it remarkable that the method they use is by creating different planes using 90 degree angles. I used their technique today to create a beautiful tesseract that I will upload shortly, but I plan on seeing if the technique is possible to use on some more eidetic, representative, referential geometry as well. In the trip report I wrote up the other day of my
Breakthrough of a Higher Order, I noted to myself that the way the geometries were breaking apart and coming back and colliding and reforming with each other was through the exquisite and continually ever-deeper dimensions through 90 degree planes breaking away from 90 degree planes breaking away from 90 degree planes, and so on, refining the sense of dimensionality subtly more and more.