There is a lot of psychedelic art out there, including my own, all of it influenced by the kind of patterns and shapes we see while tripping. I think what the OP has in mind is something more specific than this-a way of actually tracing the real patterns, sort of like putting a sheet of tracing paper over hyperspace and getting an accurate tracing of the essentials.
I think this sounds like an amazing idea, but I think back over my own experiences- in a lifetime of drawing and painting, after hundreds of trips, why have I not done this?
Partially, I think it's because the patterns themselves are fluid and elusive. I remember looking at a blank canvas (this was at an Alex Grey workshop) while I was on about 300ug of acid... And what I was seeing was an organic version of those MC Escher angels and devils. It was a perfect division of space, and I wondered if there could be a way of nailing it down with paint. But as I looked closer, the boundaries of these shapes changed and the whole layout shifted and scaled in complexity. Without the pattern sitting still for at least a few minutes, the task of tracing it down seemed out of reach.
In principle, though, I think that with enough practice it should be possible.
Here's an experiment I've been meaning to get around to doing (if someone else wants to beat me to this, that's cool by me)
- sit down opposite a friend in s comfortable, well lit space. Take a photograph of their face.
- print the photo on heavy matte paper, tape it to a drawing board
- rerurn to original seating arrangement, bringing the photo and some pencils or pens.
- smoke 10-16 mg of DMT. Keep going until strong patterns appear on friend's face.
- draw them on the photo.
It may be that the patterns will appear on the photo itself, making it redundant to sit across from them. But I bet it's elusive, infinite and hard to get a really concrete visual grip on. That's why you usually just see art with patterns that are inspired by, rather than literal translations of, actual psychedelic patterns.